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- #REFX NEXUS 2 COUPON CODE 2012 HOW TO#
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The next problem was that while Cubase seemed aware of the preset names, it didn't actually install the impulse library.īuried on the Cubase installation DVD (Cubase 5 for Windows > Additional Content > VST Sound), I found an installer called REVerence_Content_01. Instead it includes a single VSTSOUND file, like the files Groove Agent ONE uses. So there are two problems here: First off, REVerence doesn't ship with WAV files. Unfortunately, in my case, any time I attempted to load an impulse file, I'd just get an error saying something like: "Cannot locate Impulse Response File: Absorptive Stage.wav"
#REFX NEXUS 2 COUPON CODE 2012 HOW TO#
I uploaded a YouTube video describing what the program does, and how to use it:Ĭubase 5 includes a fantastic convolution reverb plugin called REVerence.
#REFX NEXUS 2 COUPON CODE 2012 PDF#
(I have personally tested on XP/32, Win 7/64, and Win 8/64.) The ZIP file includes a PDF with complete instructions. It should work fine on all versions of Windows XP, Vista, Windows 7, and Windows 8. I decided to address this issue by writing a program that creates new instrument category folders and combines instruments from across all expansions and the factory library. You can set up your own search lists inside Nexus2, but those aren't really ideal for readability. Instruments in the factory library are categorized by instrument type, but as you install expansions, all expansion files are tucked away into individual folders, separate from the factory sounds, and not categorized by type. While I greatly admire the quality of the Nexus2 sound library and find the plugin very helpful when sketching out new tracks, one of my biggest complaints about it was the way it categorizes its sounds. In Live: On any MKS-80 MIDI tracks, change the MIDI From setting from "All Ins" to your MIDI controller. In Cubase: On any MKS-80 MIDI tracks, open up the track inspector and change your MIDI Input Routing from "All MIDI Inputs" to your primary MIDI controller. Luckily this is pretty easy to work around in both Cubase and Live. It appears that the MKS-80's MIDI Out port operates a little like a MIDI Thru port, and the behavior is the same regardless of what position the unit's MIDI FUNCTION switch is in. Well, after a fair number of unproductive internet searches, I did some more experimenting and figured out that if I unplugged the MIDI Out cable, the unit worked fine. Next, I tried it out in Ableton Live, and still nothing changed. I re-powered the unit and tried again, with the same results. My eyes darted over to the MKS where I noticed the MIDI MESSAGE light flashing on and off, even though I was no longer holding down any keys.
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I hooked up the MIDI and audio cables, set up my device connections in Cubase, and started playing- but to my horror, instead of hearing glorious phat basses and creamy pads, I was assailed with loud, distorted, frenzied noise. I was so stoked to hear my newly-acquired MKS-80, my first-ever in-person experience with the legendary synth.